Lost in Secret Dreams

Sometimes I wonder how I ever ended up in any of these contentious political circles. Once upon a time, I was just a dude that wanted to make incomprehensible super 8 films and put out music that wouldn’t seem out of place on late 70’s / early 80’s porn soundtracks, yet here I am.

If you’re wondering why I haven’t been updating as much, it’s because I’ve been busy with a lot of creative projects. As you can imagine, being one of the leading proponents of a poorly understood and minimally existent political “movement” isn’t all that fulfilling. It pays almost nothing. What few allies you do accumulate tend only to embrace your ideas to the extent they’ve woefully misperceived them.

I occasionally roll my eyes and get a chuckle when I read nasty comments about me on other blogs as well, when they talk about what an “awful human being” I am, etc. These comments are usually (but not always) based on erroneous presumptions of what my views are, based on imaginative interpretations of things I’ve written and people’s preconceived biases used to fill in the blanks. I don’t care about being labeled an “awful human being,” especially by people who have interests and goals that diametrically conflict with mine. Having very little shame, allows for room to move forward and get things done, (however they may turn out.)

It’s tempting for me to write some kind of “FAQ” clarifying what my positions are, and maybe I will get around to it. However, given how terrible most people’s reading comprehension is, or how intellectually dishonest they are when looking to paint their ideological opponents in a negative light…I’m not sure there’s much point.

To be quite honest, I do not care about certain issues as much as I may come across in my writing. It wasn’t my idea to get involved in any kind of racial identity politics. It was imposed on me. Like others, I came to it reluctantly by simply noticing the real-time implications demographic changes and concluding that white people will have to start looking out for our collective interests the way other groups do. Most people I’ve encountered in pro-white or nationalist circles over the years have ranged from totally insufferable to outright bonkers (and those are just my friends!) with the occasional rational person few and far between (I realize the feeling is probably mutual.) Yet, here I am.

Despite having some wise and visionary people in prominent roles, the rank and file of the “AltRight” for the most part is inextricably tethered to a lot of things I don’t really have the slightest interest in (traditionalism, Christianity, Catholic aesthetics, rural agrarianism, renaissance architecture, sexual puritanism, anti-degeneracy, wild conspiracy theories.) In fact, as we speak AltRight.com has an article up recommending Julius Evola’s “Handbook For Right Wing Youth” as being “AltRight Essential” reading material. No thanks. I prefer Constantin Von Hoffmeister’s logically sound take on Evola. I actually like much of what constitutes the bogeyman of “modernity.” To the extent I have any real ideological passions they would be better classified as retro-futurism, transhumanism or even enclavism rather than full blown “white nationalism.” It just so happens that white people probably need to embrace identity politics both out of necessity for survival and for self determination in realizing any of the types of societies we would aspire to live in, (however incompatible they may all be with one another.) I certainly don’t care much about “racial purity” beyond a threshold that is useful in maintaining social capital, aesthetic preferences and collective cultural norms. I’m not sure what threshold is practical, desirable or realistic as an ideal. Over the years I’ve seen endless debates in the pro-white community over what constitutes white, and what percentage of Non-European genetics in a person is still acceptable for procreation, fornication, etc…with very little consensus having been reached. A lot of people who tend to be the most vocal enforcers often turn out to be hypocrites with more than a few anthropologically diverse skeletons in their own closet. All I know is I just don’t want to be in a scenario where I’m electorally outnumbered by or have to interact with significant numbers of people from groups which disproportionately display hostility toward my group (since non-whites have already overwhelmingly rejected the notion of an individualist or color blind society anyway.) This sounds pretty reasonable to me.

Explaining nuances and distinctions like this is essentially pointless. Any white person who expresses any reservations about multiculturalism, mass immigration or dares to roll his eyes during a mandatory diversity awareness lecture given by an abrasive jewess or sassy WOC, is going to be labeled a white supremacist / neo nazi / scum of the earth human being….even someone as depraved as me. So, here we find ourselves, blended together from the outside into an illusion of “Bad News Bears” styled 9th inning cohesion, while privately caught up in our own secret dreams.

Advertisements

Constantin von Hoffmeister on The Stark Truth

A few years ago I rediscovered some of Constantin von Hoffmeister’s old national futurism manifestos and essays from 2004-2006, which were gathering dust on some long forgotten webpages and forums. I found his views were in many ways similar to my own. Having grown weary of arguing with neoreactionary tradcaths and southern holy rollers, I welcomed the idea of National Futurism as a kind of secular, futuristic oriented nationalism my cohorts and I could get behind. At the very least, I thought the writings were interesting and should not be lost to the world. I asked Hoffmeister for permission to repost his old material, and he gave it to me. I created a National Futurism website to house NatFut related articles essays and books. Since then, there has been a resurgence of interest in National Futurism, with Robert Stark and others even taking it upon themselves to create a National Futurist political party in the US.

Constantin von Hoffmeister has been around the scene forever. He has always been known as an entertaining writer and eccentric figure in these dissident political circles, but in recent years has become more prominent. He runs the Eurosiberia Facebook group and recently gave a speech at the Identitarian Ideas conference in Stockholm.

Stark and I had the chance to interview Hoffmeister on a recent episode of the Stark Truth. The interview can be found here:
http://www.starktruthradio.com/?p=3913

Topics:

Constantin’s National Futurist Manifesto
How Futusim captures the Faustian Promethean nature of Western Man
Taking a materialistic over spiritual outlook toward identity
The Italian Futurist who wanted to re-create the glory of Rome in a futurist setting
The Dada movement, and Constantin’s flirtation with the concept of National Dadaism
The concept of Eurosiberia and Imperium Europa
National Bolshevism, Eurasianism, and Aleksandr Dugin
The European Migrant Crisis, and why Constantin is pessimistic about his home country Germany’s future
Why Constantin views Islamization as Europe’s primary threat, but America as a rival
How the election of Trump has improved Constantin’s view toward America
Constantin’s support for Israel and Secular Arab Nationalism as a bulwark against Radical Islam
The Cultural effects of Communism on East Germany and Eastern Europe
The Faustian Imperial Nature of Brutalist Architecture
Le Corbusier’s Plan To Overhaul Paris
Using Le Corbusier’s ideas to redevelop decaying suburbs into garden cities
The glitzy Neo-Brutalist Architecture of John C. Portman Jr, and his inspiration from the Champs-Élysées
London’s Architecture, Ernő Goldfinger’s Brutalist towers, Centre Point, and the BT Tower
The Bauhaus White City in Tel Aviv, Israel
Art Nouveau, Art Deco, and Mid-century modern
The Palace of the Soviets proposal in Moscow
The Russian Futurist movement
1970s Soviet futurism
New Arbat and Cyberpunk in Moscow
Constantin’s experience in India, and Le Corbusier’s Chandigarh, India
Constantin’s Poetry

The Other Mayans

mayanstatuehot

One of my favorite things about the 1970s is the bizarre architectural projects that were conceived and somehow greenlighted during the period. Many people now living in the “ruins” of these communities and surrounding neighborhoods are often completely oblivious to the cultural relevance of these structures and fail to muster any appreciation for the aesthetic uniqueness of the community.

Often times visiting these areas is a depressing expedition, because you might consider living there, but the property owners, tenants have no idea how chic the place could be and have never considered the idea that they are living anywhere but a mediocre dump just waiting to be torn down and replaced with some cheaply built McMansions (with brand new granite counter tops!) Another example of this would be the older Vegas casinos, like Circus Circus. To me, these are the destinations of wonder, excitement and magic…but to most people, they’re just dreary.

mayacondopool

Anyway, there’s this interesting 1970s Condominium complex in Scottsdale, AZ called “Maya,” that I’ve always found fascinating. Built in 1971, it’s a large condo community with Mayan themed buildings and aesthetics. While these “themes” are typically only superficially incorporated into the actual edifices, Maya developers actually went through the trouble of installing some detailed statues, pillars and miscellaneous decor, giving the grounds some minor semblance of an authentically exotic ambiance.

mayanstatue2

As a side note, acting legend Cesar Romero (who played The Joker in the original 60’s Batman TV series) actually lived in these condos for a period of time.

mayancondos

10-15 years ago this community had degenerated into a pretty seedy place. Despite being in a prime location, like many older complexes it attracted a lot of sketchy people (and still does.) However, I was pleased to see when I revisited it the other day, that the community looks to have been revived, and the buildings and grounds appear to be well maintained. Clearly some residents and owners at least see the value here and are interested in preserving this unrecognized historical “landmark.” This is the sort of cultural appropriation I can appreciate.

mayancourtyard

mayanview

mayabuilding

mayasunset

mayasign

mayasign2

Robert Stark Interviews Anatoly Karlin About his American Decade, Futurism, and Political Trends

karlinsf

Robert Stark and co-host Pilleater talk to Anatoly Karlin. He blogs at The Unz Review

The interview can be found HERE.

Topics include:

Anatoly’s article at the Unz Review about his American Decade

Why Anatoly is leaving the United States and going back to Russia

How the United States is becoming more like Europe

T.R. Reid’s book The United States of Europe, where he argued that the EU was emerging as a superpower rivaling the US, but has latter been disproved

How during the Bush era Americans perceived Europeans as “Cheese Eating Surrender Moneys, but later Sarkozy became the architect of the war in Libya, and arming Syrian rebels

Another element of America’s Europeanization is the decline in social conservatism, the surge in support for gay marriage, and drug legalization

Anatoly’s political views, which are fairly socially liberal(except for rejecting political correctness, and radical feminism), economically centrist, and closest to Rabbit’s AltLeft

U.S. Millennials More Likely to Support Censoring Offensive Speech, especially among university students who are the future elites

The decline in American fertility rates toward European levels

How American politics now resembles Europe in the sense that there are five distinct blocs: Clinton democrats, Sanders socialists, Rubio/Bush etablishment conservatives, Cruz Bible-bashers, and Trump nationalists.

Anatoly’s pre election prediction article US Elections 2016: Let’s MAGA, Not War, and Trump’s support in the rust belt

Trump’s economic policies as a hybrid of supply side economics, and economic nationalism, and the similarities to Putin’s economic policies in Russia

The GINI index of income inequality

The pros and cons of economic automation, and the basic income

Transhumanism, Zoltan Istvan, and his book The Transhumanist Wager

The Bay Area where Anatoly spent most of his time in the US, and how it’s pretty much ideal, but also the most expensive macro-region of the US

California is also home to Ron Unz, Steve Sailer, as well as the “Alt Left” movement(the tiny group of thinkers combining leftist economics with HBD, sane views on gender relations, and a penchant for futurism )

The futurist scene in the Bay Area including Scott Jackisch’s Bay Area Futurists meetup, Health Extensions Salons, Mike Johnson’s Qualia Research Institute, Effective Altruism, and the “techno” faction of NRx

Mass Transit, Bay Area Rapid Transit, how older cities tend to have more integrated transit systems, and why conservatives oppose mass transit

Global Warming, Swedish scientist Svante Arrhenius who discovered climate change, debunking climate change deniers, and whether it will benefit arctic regions such as Russia

Observations on other American cities including Las Vegas, Los Angeles, Chicago, New York, Washington DC, and Pittsburgh

Anatoly’s experience ridding across the nation on Amtrak

Architecture: Skyscrapers, Brutalism, architect John Portman’s 70’s Neofuturism, and Rabbit’s ideal city based on the film Logan’s run

America’s great wilderness and National Park System

Blood, Soil and Food Courts

metro_center_70s
MetroCenter Mall, Phoenix Arizona, 1970s

People often take it for granted that no one in cities like Phoenix could feel any connection to the local buildings because many of them are so recently constructed and thought to be from times when buildings had little to no spiritual or architectural significance other than for utilitarian commercial use or cookie cutter, tract housing.

“Would you fight and die for North Park Mall?” Richard Spencer asked jokingly (referring to a Dallas, TX shopping center that was presumably near an area where he grew up) during a recent Millennial Woes podcast titled, “The End of America.”

Well no..I wouldn’t, but mostly because I’m not from Dallas. However, I would fight and die for Paradise Valley Mall in Phoenix, not because I’m some kind of libertarian zealot or free market fanaticist (if anything I’m closer to a crypto-communist) but because the building and surrounding area was an integral part of my childhood and teenage experience. Admittedly, I grew up around the eastern side of town. Other 80’s kids on the west side would have spent their youth cavorting around iconic Metro Center mall (one of the film locations of Bill and Ted’s Excellent Adventure.) MetroCenter was the vastly superior establishment before it became overwhelmed with nonwhite gangsters and wiggers in the early to mid 90’s and was too ghetto for civilized people to hang out at.)

Believe it or not and disturbing as it may seem, people who grow up here actually do feel connected to many of these local landmarks. They’re a part of our identity and culture. Humans are territorial creatures of habit, often becoming attached to familiar haunts, no matter how superficially or artificially contrived those habitats are. It isn’t the mindless consumerism of these old malls that people identify with, but their place in our hearts as social and community hubs. I have more aesthetic affinity for a 1970’s futurist Phoenix mall or swanky mid century modern dwelling than I do for any of the 17th century churches or old office buildings in the northeastern US. Those particular eras and places do nothing for me compared to the unfulfilled space age promise of mid-century modernism, and I’m not the only one, as there are a great many advocates here who attempt to preserve structures that many outsiders would reflexively deem significant.

Robert Fairburn, Architect of MetroCenter Mall
Robert Fairburn, Architect of MetroCenter Mall

Whether it was The Wanderers or Monster Kody, street gangs have always fought over what outsiders no doubt perceived to be worthless territory, in the trivialest of turf wars. Would you fight for your home? What about your neighborhood? What about your home away from home?

Some self-proclaimed photographer “activists” have managed to convince themselves that the “death of malls” signifies some kind of broader decline of American capitalism, but the reality is that these malls were simply devoured by the very machine mechanisms of capitalism that helped spawn them in the first place. They’re in fact being replaced with an even more atomized form of capitalism, consisting of online shopping and big box stores, with “social media communities” and phone app browsing replacing local shopping and social communities, taking depersonalization to a new level entirely. Instead of gloating over an illusory victory, leftists should be preserving and re-purposing these malls into the futuristic communal living and socialization centers they were originally envisioned as. You never know what you’ve got until it’s gone.

metro-center2

Like Spencer, I don’t have any real attachment to the abstract values which comprise the contrived, constitutional “American” identity that conservatives fetishize and deify. And no, I probably wouldn’t actually fight and die for these local Phoenix malls, but only because they’re already ruined or nearly demolished. Much of this area is already overrun, and it’s too late. Some areas sadly have to be written off, because we just don’t have the numbers. Yet by necessity, the un-luxurious of us that remain (outnumbered) are compelled to gravitate toward a more biological identity, preserve the collective desire and genetic foundation that offers the greatest probability of creating the types of societies we wish to live in, somewhere. We’ll make a stand there. See you at the Orange Julius, Caesar!

Discussing Retro Futurism on The Stark Truth

sanc

http://www.starktruthradio.com/?p=2563

Topics discussed:

The concept of Retro Futurism as how the past envisioned the future
How in the 20th Century society was undergoing rapid change and technological progress
How people today are either pessimistic about the future, or view the present as the future(The Current Year)
Whether Retro Futurism is pure fantasy, an alternative universe, or a blueprint for the future
The Future portrayed in film from utopia to dystopia
The 1927 film Metropolis, which was the first major future film, and inspired by Italian Futurism
Italian Futurism
How Art Deco was the first major futurist movement in Architecture, and perfectly combines Futurism and Tradition
How Neon Lighting has symbolized the future from the Art Deco era to the 80’s Cyberbunk aesthetic
The Synthwave/New Retro Wave Genre in music that emerged in the mid 2000’s, inspired by 80’s New Wave(ex. FM Attack, Robots with Rayguns, Electric Youth, College, Kavinsky)
How 80’s music was much more future oriented than today’s music
Greg Johnson reviews New Order’s Music
The Euro-centric and deconstructionist elements to Electronic Music
Rabbit’s involvement in the early 90’s rave scene, and how it started out as futuristic but fizzled out into trashy pop culture
The revival of the 60’s Brit pop sound in the 90’s
How culture has become stagnant and people are looking to the past for inspiration
Vaporwave, which is an aesthetic that emerged online, inspired by 80’s and early 90’s illustrations, video games, and elevator music
The Vaporwave Documentary
Donald Trump as an 80’s Retro-Futurist Vaporwave Icon
Cyberpunk, how it was inspired by 80’s Films such as Blade Runner, as well as Science Fiction writer Issac Asimov, it’s popularity with the Dark Enlightenment and Silicon Valley Techno-libertarians.
Steampunk, which a Futurist movement inspired by Victorian Aesthetics, Old Train Stations, and Science Fiction writers such as HG Wells and Jules Verne
Islamic Retro Futurism
The Mid Century Space age aesthetic
Soviet Retro Futurism
Las Vegas, the Retro-Futurist theme to the city, and hypothetical casino designs(Steampunk, Art Deco, Midcentury Space Age, Cyberpunk, Vaporwave)
Architect John C. Portman Jr. who built futuristic hotels with massive atrium in the 70’s and 80’s
The 80’s mall aesthetic, and how 80’s malls were a lot more futuristic and innovative than the ones being built today
Alex’s point that there is a transcendent element to the mall experience
How Retro-Futurism provides inspiration for architecture and urbanism
How Retro-Futurism offer a Third Alternative to the past and present course
How right wing publications tend to be mostly political, while left wing ones will focus on culture and insert politics
Whether Retro-Futurism is an aesthetic for a New Political Movement(ex.Radical Centrism)